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You can change your ad preferences anytime. Upcoming SlideShare. Like this presentation? Why not share! Leonardo had no surname in the modern sense, "da Vinci" simply meaning "of Vinci": his full birth name was "Leonardo di ser Piero da Vinci", meaning "Leonardo, son of Mes ser Piero from Vinci.

Little is known about Leonardo's early life. He spent his first five years in the hamlet of Anchiano, then lived in the household of his father, grandparents and uncle, Francesco, in the small town of Vinci.

His father had married a sixteen-year-old girl named Albiera, who loved Leonardo but died young. In later life, Leonardo only recorded two childhood incidents.

One, which he regarded as an omen, was when a kite dropped from the sky and hovered over his cradle, its tail feathers brushing his face.

The second occurred while exploring in the mountains. He discovered a cave and was both terrified that some great monster might lurk there, and driven by curiosity to find out what was inside.

Leonardo's early life has been the subject of historical conjecture. Vasari, the 16th century biographer of Renaissance painters tells of how a local peasant requested that Ser Piero ask his talented son to paint a picture on a round plaque.

Leonardo responded with a painting of snakes spitting fire which was so terrifying that Ser Piero sold it to a Florentine art dealer, who sold it to the Duke of Milan.

Meanwhile, having made a profit, Ser Piero bought a plaque decorated with a heart pierced by an arrow, which he gave to the peasant.

In , at the age of fourteen, Leonardo was apprenticed to one of the most successful artists of his day, Andrea di Cione, known as Verrocchio.

Verrocchio's workshop was at the centre of the intellectual currents of Florence, assuring the young Leonardo of an education in the humanities. Other famous painters apprenticed or associated with the workshop include Ghirlandaio, Perugino, Botticelli, and Lorenzo di Credi.

Leonardo would have been exposed to a vast range of technical skills and had the opportunity to learn drafting, chemistry, metallurgy, metal working, plaster casting, leather working, mechanics and carpentry as well as the artistic skills of drawing, painting, sculpting and modeling.

Much of the painted production of Verrocchio's workshop was done by his employees. This is probably an exaggeration.

On close examination, the painting reveals much that has been painted or touched up over the tempera using the new technique of oil paint, the landscape, the rocks that can be seen through the brown mountain stream and much of the figure of Jesus bearing witness to the hand of Leonardo.

Leonardo himself may have been the model for two works by Verrocchio, including the bronze statue of David in the Bargello and the Archangel Michael in Tobias and the Angel.

By , at the age of twenty, Leonardo qualified as a master in the Guild of St Luke, the guild of artists and doctors of medicine, but even after his father set him up in his own workshop, his attachment to Verrocchio was such that he continued to collaborate with him.